Statesboro Blues

" Statesboro Blues " is a blues song in the key of D written by Blind Willie McTell; the title refers to the town of Statesboro, Georgia. Covered by many artists, the version by The Allman Brothers Band is especially notable and was ranked #9 by Rolling Stone in their list of the 100 Greatest Guitar Songs of All Time.[ 1 ] In 2005, The Atlanta Journal-Constitution ranked "Statesboro Blues" number 57 on its list of 100 Songs of the South.[ 2 ]

Lyrics
The lyrics, a first-person narrative, appear to relate the story of a man pleading with a woman to let him in her house; the speaker calls himself "Papa McTell" in the first stanza ("Have you got the nerve to drive Papa McTell from your door?"). Throughout the song, the woman, addressed as "mama," is alternately pleaded with (to go with the speaker "up the country") and threatened ("When I leave this time, pretty mama, I'm going away to stay"). Throughout the non-linear narrative, the "Statesboro blues" are invoked—an unexplained condition from which the speaker and his entire family seem to be suffering ("I woke up this morning / Had them Statesboro blues / I looked over in the corner: grandma and grandpa had 'em too").[ 3 ] Later versions, such as the one played by The Allman Brothers Band, have shorter, simplified lyrics.

As with many blues lyrics, it can be difficult to establish rules for the narrative order of the stanzas. In the case of "Statesboro Blues," Richard Blaustein attempted a structural analysis of McTell's song in an approach influenced by Claude Lévi-Strauss;[ 4 ] it is unclear whether his results are applicable to other blues songs also.[ 5 ]

McTell borrowed part of the lyrics from a 1923 Sippie Wallace recording of "Up the Country Blues," which was later popularized by Canned Heat as "Goin' up the Country."[citation needed]

Blind Willie McTell's original recording
Because of the song, rumor had it that McTell was born in Statesboro; he was, in fact, born in Thomson, Georgia, though in an interview he called Statesboro "my real home." McTell made the first recording of the song on Victor,[ 6 ] on October 17, 1928 (Victor #38001).[ 7 ] The eight sides he recorded for Victor, including "Statesboro Blues," were described as "superb examples of storytelling in music, coupled with dazzling guitar work."[ 8 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">An original recording Statesboro Blues, is available from The Archive.

Discography
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The song is included on two McTell compilations:<span class="reference" id="cite_ref-9" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 9 ]


 * McTell, Blind Willie (1990). Complete Recorded Works, Vol. 1 (1927-1931). Document.
 * McTell, Blind Willie (1994). The Definitive Blind Willie McTell. Columbia Records/Legacy Recordings.

<span class="mw-headline" id="Cover_versions" style="box-sizing:border-box;">Cover versions
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The song has since been covered by many other artists, including John Mayall, The Youngbloods, Dave Van Ronk, Chris Smither, David Bromberg, Brooks Williams, Alice Stuart, Deep Purple, Pat Travers, Tom Rush, Roy Book Binder and The Devil Makes Three.

<span class="mw-headline" id="Taj_Mahal_.281968.29" style="box-sizing:border-box;">Taj Mahal (1968)
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Taj Mahal made a "wonderful modernized version"<span class="reference" id="cite_ref-herzhaft_7-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 7 ] on his eponymous, 1968 debut album. The song (and Taj Mahal himself, who had yet to acquire fame) reached a wide audience through being featured on the best-selling Columbia/CBS sampler album The Rock Machine Turns You On.<span class="reference" id="cite_ref-10" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ] His arrangement is credited with inspiring The Allman Brothers Band.<span class="reference" id="cite_ref-11" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 11 ]Mahal had recorded "Stateboro Blues" prior to the aforementioned rendition, in 1965 or 1966, as a member of the group Rising Sons; this recording was not released until 1992.<span class="reference" id="cite_ref-12" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 12 ]

<span class="mw-headline" id="The_Allman_Brothers_Band_.281971.29" style="box-sizing:border-box;">The Allman Brothers Band (1971)
Duane Allman<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The most familiar version of the song is by The Allman Brothers Band,<span class="reference" id="cite_ref-13" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 13 ] as recorded at the Fillmore East in March 1971 and first released on the 1971 album At Fillmore East. This version is famous also for Duane Allman's slide guitar playing, which, as Rolling Stone would write years later, featured "the moaning and squealing opening licks [that] have given fans chills at live shows."<span class="reference" id="cite_ref-rolling_14-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 14 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Allman's slide riffs on "Statesboro Blues" have been analyzed and transcribed in guitar magazines many times over<span class="reference" id="cite_ref-15" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 15 ]<span class="reference" id="cite_ref-16" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 16 ]<span class="reference" id="cite_ref-17" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 17 ]<span class="reference" id="cite_ref-18" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 18 ] and the tones of Allman and Dickey Betts's guitars on the song were hailed by Guitar Player as some of the "50 Greatest Tones of All Time."<span class="reference" id="cite_ref-19" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 19 ]Allman's version comes from when his brother Gregg gave him a record by Taj Mahal (containing his version of "Statesboro Blues") and a bottle of Coricidin pills, both for his birthday and as Duane had a cold that day; A short while later, Duane, who had never played slide guitar before, washed the label from the Coricidin bottle after emptying out the pills and learned how to play the song, even exhibiting it to Gregg. After Allman's death in a motorcycle accident later that year, the performance was included on the 1972 album Duane Allman: An Anthology. In 2008, Rolling Stone magazine ranked The Allman Brothers Band's version of "Statesboro Blues" as #9 in its list of the 100 Greatest Guitar Songs of All Time.<span class="reference" id="cite_ref-rolling_14-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 14 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The song is still a staple of The Allman Brothers Band's live shows, now either with Derek Trucks or Warren Haynes on slide. Dickey Betts also continues to play the song live.<span class="reference" id="cite_ref-20" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 20 ] It can also be found on the compilation album The Road Goes On Forever.